Paquito D’Rivera isn’t your average jazz musician. Originally from Cuba, D’Rivera is a multi–Grammy Award winner and NEA Jazz Master. More than 30 solo albums to his name showcase his rich skills on clarinet, saxophone, and in composition, all rooted in a background of classical and traditional Cuban music. On November 1, he’ll join the Metropolitan Jazz Orchestra for an evening of sizzling Latin Jazz, and Metropolitan Jazz Orchestra Artistic Director Jim Carroll offered us an early preview of why this concert promises to be an unmissable jazz extravaganza:
What do you anticipate will be most rewarding about sharing the stage with Paquito D’Rivera?
Sharing the stage with Paquito is a gift because he is the real thing. He isn’t a caricature of “Latin jazz” or a surface-level entertainer—he is a complete musician. He’s lived it all, from classical concert halls to jazz clubs, and he brings that breadth of experience every time he plays. To stand next to him and hear his clarinet and alto saxophone in full flight is inspiring not only for the audience, but for the members of the Metropolitan Jazz Orchestra as well.
As artistic director, how did you approach arranging the music to highlight both the Metropolitan Jazz Orchestra and D’Rivera’s talents?
We’re featuring Paquito’s own compositions and arrangements, which already carry his unmistakable voice. My goal was to balance those with opportunities for the musicians of the Metropolitan Jazz Orchestra to step forward. We have some of the finest soloists anywhere, and the concert is designed as a conversation between Paquito’s improvisation and the creativity of our players. It’s about mutual respect and musical dialogue rather than simply showcasing a guest star.
Are there any standout pieces you’re particularly excited about?
Every piece with Paquito is a standout because he brings such joy, virtuosity, and spontaneity. I’m especially excited about the works that give space for extended improvisation—not only from Paquito but from our soloists as well. And having vocalist Darden Purcell and steelpan artist Victor Provost with us adds unique colors that audiences don’t often get to experience in a jazz orchestra setting.
What do you hope audiences take away from this performance?
I hope they leave knowing they’ve witnessed music at the highest level—authentic, spontaneous, and deeply human. Paquito has seen it all and can do it all, and the Metropolitan Jazz Orchestra meets him at that level. This concert isn’t about categories; it’s about artistry, joy, and the thrill of improvisation. I want the audience to feel the spirit of jazz as a living, breathing conversation that transcends labels.
Experience an unforgettable evening of artistry and innovative compositions with Carroll, D’Rivera, and the Metropolitan Jazz Orchestra on November 1.